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This leads to the same moral hand-wringing so elemental to the genre (Sirohi appears more confused than conflicted about his choices). Bitten survivors are deemed ‘infected’, to be killed off before they flip. The characters are dull and one-note: Sacred Games’ Jitendra Joshi is hard to take seriously as a villain, coolly negotiating with the dead in reasonable tones, like a liquor peddler during lockdown (“I can get what you crave.”). With the zombies held off by impenetrable doors, the show languishes in vain strategising, none of it interesting or particularly clever. Yet, Betaal does not commit to its inherent gaminess for the most part. “Think of this as a game,” Sirohi tells a young girl in the show (the moment itself is a trope, a hardened mercenary leading a special kid to safety). Pitting modern colonizers against their bygone bosses is a fun idea, and the perfect excuse for a grisly gunfight, the kind seen in online zombie shooter games. But this forest holds a mountain - named for the infernal ‘ Betaal’ - and in meddling with its ancient underpass, the squad ends up reviving an army of redcoat zombies. They are ordered to clear out a highway route through a forest all hostiles promptly neutralised. Viineet plays Vikram Sirohi, the deputy in an elite counter-insurgency squad. It stars Viineet Kumar - an odd fit for the material, given the actor’s tendency to take every narrative beat seriously (though he eases up wonderfully near the end). Streaming on Netflix, the 4-part miniseries is produced by Red Chillies Entertainment and directed by Patrick and Nikhil Mahajan.
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Cast: Viineet Kumar, Aahana Kumra, Jitendra Joshiĭirectors: Patrick Graham, Nikhil Mahajan